Western Design

Heidi Harner

2011-03-01T10:19:00.000-08:00

“Why I paint what I paint: Horses are beautiful in their line, form and movement; dogs bring much joy to our lives, and when I paint landscapes outside on location, I feel I am nearest to God than most other times.” Heidi Harner

The plains of North Dakota inspired Heidi Harner’s appreciation of wide open spaces. Her love of animals she attributes to her mother who was instrumental in establishing their local Humane Society in Minot. Heidi melded the two with a life long interest in art. She first studied watercolor then found her niche in oil. She enjoys both plein air and studio painting.

Her favorite subjects are landscapes, especially scenes of North Dakota, nature in general, farm animals, dogs and horses.

Horses have become a driving force in her art. She spends as much time as possible on the Nokota Horse Conservancy in south central North Dakota. There she studies the horses, how they interact, their surroundings and everything she can
possibly learn from them. She spends hours on the prairie capturing their movements in the different light on canvas with oil. When she can’t be there in person, she uses the many photographs she takes to work from in her studio.

In the fall of 2010, Heidi took a class from David Slonim. In the class she studied the masters and now as she says, "Is obsessed with reading up on John Singer Sargent, Andrew Wyeth, Anton Mauve, Mary Cassatt, Joaquin Sorolla, Carolyn Anderson (a living master artist) and more. You can see the influence of the class and especially that of Andrew Wyeth in her newest work, "Early Evening Barn" and John Singer Sargent's Arabian horses in "Bedouin Tack".

Heidi has a Bachelor of Fine Arts from Purdue University in Indiana and uses her experiences as a professional art conservation framer to help refine her natural abilities as an artist. She is an associate member of the Women Artists of the West (www.waow.org) and has been featured in a number of publications including, The Cowboy Way, Horses in Art Magazine and GaWaNi Pony Boy’s book, “Of Women and Horses: More Reflections of the Magical Bond,” published by Bowtie Press, 2005. Her work can be seen online at Dakota Rocks Studio, Contemporary Western Design.com or on her website.

Diane Ross

2010-12-09T10:31:00.000-08:00

Cowgirl Furniture Maker

by Thea Marx

With Diane Ross’s adept hands and keen sense of balance and design, old barns become charming cabinets and standing birch trees a bed gracing magazine pages worldwide. This extraordinary furniture maker is one of the few women in the business and she has established a niche with her elegant rustic furniture that doesn’t need a log home for comfort, it’s perfectly at ease in nearly every environment including ultra contemporary.

For thirty years, her intrepid spirit has wandered the West in search of inspiration and materials. Her experiences in the Southwest and on Montana ranches driving her practical, but creative process to pieces that always pay homage to her first, a bent willow chair. A furniture maker, she was sure she would never be growing up. Her father was a cabinet maker, but wouldn’t let her in the shop, she was a girl.

As a young, single mother she struck out to follow her dreams which meant studying Range Management and Soil Science at Montana State University in Bozeman. On the way, she found herself living in a tent in West Yellowstone, Montana with her two children waiting tables to pay the bills and save for college. Her need to be close to her children drove her to search for ways they could be together more than not. She turned down a coveted job with the BLM in favor of making a chair she saw on the cover of Mother Earth Magazine. The idea of making furniture meant they could be together gathering willows, searching the area for materials and creating collectively. One chair led to many and many led to a following. When the government registries where closed after graduation proclaiming no jobs were available, she didn’t even miss a beat, she kept on making furniture.

From a willow chair to elaborate cabinets is not easy for someone who has not been trained as a cabinet maker, but true to her spirit, she taught herself. “People would say ‘I like this. Can you do it?’” says Diane. “I would research it, figure it out and make it. That is how I learned.” Eventually her father came to help her in her shop in Willow Creek, Montana, acknowledging what she was doing was “real” woodworking and enjoyed his time with his daughter as she created influential pieces in the world of western furniture.

On the river bottom where Lewis and Clark camped and where bears, moose, elk and coyotes are prevalent, Diane creates pieces like the Cowgirl Cupboard: pretty on the outside, practical on the inside. The simple cabinet is hand rubbed with a red patina, carved willow designs and hand forged horse head draw pulls. She created this piece for herself when she was working cows everyday and rising at 4 am. She needed something that would hold everything she needed for the day in one place so she could roll out of bed, dress and still have time for coffee. The piece even has a place for her halter, chinks, hat and a grate to place her boots on. Then there are pieces with names like the Gypsy Queen goes to Cody. An exquisitely, edgy piece out of reclaimed oak, fused glass doors with interior lighting, glass shelves and secret velvet lined drawer.

Unique or deadly practical, this cowgirl furniture maker has a way of making the pieces strikingly beautiful, all the while evoking the natural and that universal yearning to have nature a part of one’s living spaces.

Diane is an artist on contemporarywesterndesign.com. She was invited to attend Women Who Design the West and was inducted into the Stetson Craftsman Alliance in September 2010.

Clair Kehrberg

2010-11-08T14:20:00.000-08:00

Saddle Making in her Soul

With a love of horses and artwork in her soul and ranching a part of her family for generations, Clair Mullins made a decision in high school; she was going to be a saddle maker. Growing up on a family cattle operation near John Day, Oregon, saddles were second nature, in fact, horseback was her preferred mode of transport. The decision was easy.

After witnessing her father question her older brother about his ambitions and plans for the future, Clair knew she would have an answer when it was her turn. A part of the family operation in a place where the closest movie theatre was 70 miles away, her love of horses was nurtured and the very nature of her life allowed her imagination to fly free.

An inborn fondness for ranch life combined with her penchant for art helped lead her to the decision to be a saddle maker. She went through the two year program at Spokane Falls Community College where she studied under the late Verlane Desgrange who was an extraordinary leather carver and saddle maker. Under Verlane she learned to draw intricate flowing patterns. Then she worked with Randy Severe at Severe Brothers Saddlery in Pendleton who taught her to draw directly on the leather. “My work is individual, I never duplicate a pattern,” says Clair. Most importantly, she says, she studied with Dale Harwood where she learned good mechanics. “Mechanics make the saddle, and he is a master.”

Today, she has been creating saddles for 9 years and owned her own shop for the last 6. Everyday, she builds saddles for the working cowboy. They are for hard days on colts and working cows in the vastness of Grant County, Oregon. On Quality Manufacturing trees, she creates her signature saddle with a slick fork tree and bucking rolls. She uses a lot of rough outs because as she says, “You stick to it better.” Her style reflects the influences from generations of ranching in the Great Basin and the Old Buckaroo including the small Cheyenne roll and the mule hide wrapped horn.

Working saddles don’t allow her to use her incredible carving skills or love of fashionable things as much as she would like so she makes gorgeous, deeply carved stylish handbags, messenger bags and furniture that allow her to integrate the flowing lines and the sleek curvy styling that is apparent but not overt in her saddles.

As of late, she has earned the nickname, "Lunatic Fringe" for the use of her brightly colored fringe on everything!! She has also been inducted into the Stetson Craftsman's Alliance and was selected for Women Who Design the West.

See her work here on ContemporaryWesternDesign.com or learn more about Clair at www.clairsaddleshop.com or call her to get your own saddle or “haute” handbag 541-620-1634.

Bob Brown Treemendous Designs

2010-03-05T15:28:00.000-08:00

Bob Brown’s Pieces fit into Rustic Décor, Cowboy Décor or any home that has a hint of Western Design or wants one.

Near a small Indiana town where the rivers Eel and Wabash meet, is a man who auctioned off his construction equipment to become a furniture maker.

On land that’s been in his family for more than 20 years, and where arrowheads and other remnants of the Miami Indians are found, Bob Brown harvests and mills his own beautiful hardwood. He’s known around Cass County for his work and is frequently called when nuisance trees are felled so he can recover the lumber. A self-proclaimed scavenger of beautiful wood, Bob finds wood where tree trimmers work and utility companies clear branches to keep lines open.

Bob has a unique take on furniture made from hardwoods. He says, he doesn’t want it to be too perfect, but to reflect its natural beauty. Most furniture made of hardwood is planed, sanded and polished to perfection.

“To me that’s institutionalized, I like to see its natural expression, the beauty of the sapwood and its rough edges.”

Where does his inspiration come from? “ Montana. I love Montana,” he says.

Five boys later, he’s still in Indiana, but hoping the family can find their way out West someday. He and his wife Julie, a fourth grade teacher, both enjoy the outdoors and spend their free time camping, hiking and working on their property.

Bob’s grandfather clocks, dining room tables and beds are seen in homes from the Midwest to New England. Some of his most specialized pieces are found in beautiful resort homes in Colorado. To see more of Bob’s work go to ContemporaryWesternDesign.com.

David Osmundsen

2009-03-30T12:38:00.000-07:00

Wyoming Blacksmith

David Osmundsen moved to Buffalo, Wyoming, nearly 17 years ago after a fateful summer trip brought him to the Big Horn Mountains. While doing summer missionary work at the Crow Indian Agency in southern Montana, he passed through the small western town that stuck with him. “I liked it and decided I would like to move to an area like Buffalo either after I retired or sooner. I decided to finish raising my children there.” David moved his family from Wisconsin where he worked as an artist in residence and gunsmith and literally set up shop – his blacksmith shop, Arrowhead Forge.

He has been blacksmithing for three decades, developing his personal style which he defines as “functional iron art.” “I don’t do so much that is just sculpture. My pieces are functional sculpture; garden gates, fireplace tools, railings, furniture, etc. David has perfected his style over the years from a variety of influences. “Any style you develop takes time. Mine is certainly influenced by who I learned from and from looking at other people’s work and figuring out how they did certain things. I’m always learning and combining things I see every day. I’ll see something like the way a tree branch grows that really attracts my eye and I wonder how I can do that in iron.”

David first took an interest in blacksmithing while studying to become a gunsmith in Colorado. He found a local blacksmith who allowed David to work in his shop in exchange for teaching him the trade. “When I was working for him, he would teach me to make a fork or something. He really only expected me to make one, but I was so excited about making them that I would make a dozen and then go out and sell them. I learned far more than he was teaching me.” David worked with that blacksmith for a little more than a year before opening Arrowhead Forge in Maine and doing a little teaching of his own.

“Since I’ve moved to Wyoming and set up shop, I’ve had a lot of people asking to be my apprentice. I’ve sworn up and down that I wouldn’t have an apprentice. So, I’ve started teaching again.” This is his fourth year teaching and he’s had folks coming from California, Alaska, Mississippi and recently received an inquiry from a student in Canada.
“And, as a matter of fact, I do have an apprentice now also. Trying to avoid having an apprentice has actually led me to having one.”

David says he would like to increase the teaching aspect of his business, which he hopes could then provide him more time and financial security to produce gallery pieces where he can “design and build things exactly the way I would like them done.”
“It’s really fun building that way because you’re free. You don’t have to follow a drawing you did for a client months before. You’re freer to let it flow.”
Everything David builds in iron is completely unique and full of variety, “the true definition of custom.” “Something that I build is done specifically for you. I look at what you’ve got in your home, growing in your yard or what your interests are and then I build to suit you. I might utilize similar features from another piece but there will never be another one like the one I build for you.” While there is no ordinary piece, an elaborate garden gate might take David four to five weeks to finish while a simple set of fireplace tools generally only takes three days. “It’s pretty much unlimited what can be done in iron.”

In addition to his home and office furnishing-type pieces, David also enjoys doing historical re-creations of period tools, axes, and more primitive knives.

Image Above: Forged Iron Leaf Napkin Rings. If you have ever tried to swing a hammer and delicately form a semi-molten piece of iron, you can appreciate David's work. He made iron napkin rings for the Senate Wives’ luncheon for Rosalynn Carter, way back when and has just now introduced a new design.

To view more of David's work go to Arrowhead Forge on www.contemporarywesterndesign.com

For more western design that includes, western furniture, rustic furniture, western fashion,western jewelry, western art and western home accessories go to: www.contemporarywesterndesign.com

Meredith Lockhart

2009-01-07T13:26:00.000-08:00

Kansas Fashion Designer

As a residential and commercial interior designer before moving to northeast Kansas, Meredith Lockhart is no stranger to the design world.

Inspired by the land that surrounds her and the western lifestyle, she is creating belts, handbags and, if you really beg, custom clothing.

Lockhart’s designs have been seen on stages, screens and runways from New York to LA and everywhere in between over the last 15 years. Rodeo Queens have donned her custom creations and country music stars have worn her clothing on stage and off. She has created collections for the Western Design Conference and started her own on-line store called Thistle’s West.

Meredith loves to create with leather because she says, “It feels and smells so good! And you can do so many things with it!”

Meredith is a master at the challenge of finding unique leathers and juxtaposing them against one another with special touches like lacing, fringe, fur and paintings to make creations ultra unique.

When Meredith is not in her 100-year-old schoolhouse studio creating for Thistle’s West, she is giving her time to inner city, adjudicated and at-risk students, teaching them art, costume design and mask making.

This Kansas cowgirl fashion designer not only has an eye for high fashion, but a heart of gold.

Learn more about Meredith at www.contemporarywesterndesign.com

Cloudbird

2008-11-20T10:35:00.000-08:00

Profiling A Western Design Artist from Washington

Movement. Balance. Rhythm. These three words carry great meaning to art lighting creator Cloudbird.

Gracefully reaching into the 15 years she spent dancing, Cloudbird’s pieces are a beautiful reflection of her dedication to movement, combined with roots anchored firmly in Mother Earth.

Off on an Alaskan adventure when she was 17, she, “found buckets of it.” Falling in love with the raw beauty (and a guy) Cloudbird spent the next 11 years wholly dependent on her own skills to survive in the Alaskan Bush.

Those years of survival taught her to be observant and unafraid to create with the materials and tools at hand. What started out as a necessity when she re-entered civilization became an expression of her life experiences.

Learning to braid leather, do beadwork and work rawhide came quickly to this intrepid outdoor enthusiast who continues to do extensive research on each project, learning new techniques, styles, and the histories of each pattern she beads or paints.

Fascinated by many mediums and taking each one beyond its standard applications, Cloudbird’s pieces offer a timeless feel, full of delicate, yet powerful movement.

Learn more about Cloudbird and her work at www.contemporarywesterndesign.com

Style West

2008-07-14T14:47:00.000-07:00

Style West is a new show making its debut this September in Cody, Wyoming. The show will feature fine western fashion, furniture and art.

I was asked by the Buffalo Bill Historical Center to develop a show that will be reminiscent of the early Western Design Conference. Style West will have a retail experience for the buyers who come to Cody for Cody High Style and the Buffalo Bill Art Show and Sale.

Style West will open on September 25 at the Cody Auditorium on Beck Avenue in Cody. Beck Avenue is one block from Sheridan Avenue, Cody’s main street, and 3 blocks east of the Buffalo Bill Historical Center. A shuttle will run between the BBHC and Style West which will be open from 10 am until 6 pm on Thursday, Friday and Saturday the week of Rendevous Royale in Cody. Rendevous Royale runs September 24-27. It opens with the Cody High Style Fashion Show on Wednesday, September 24. The fashion show is a “Do Not Miss Event” that is high energy and fun while showing the most extraordinary fashion available in couture western design. The week concludes with the black tie Patron’s Ball at the BBHC.

Style West features artists from across the country. The audience will be able to purchase beautiful custom jewelry, furs, furniture, lighting, leather apparel, custom evening gowns and fine art.

Style West admission is $5 at the door each day.

Special room rates for attendees are available at The Cody, http://www.thecody.com/.

Along with the extraordinary pieces that you will find on the floor of Style West, you will have the opportunity to peruse your favorite design books at Gibbs Smith (www.gibbs-smith.com) who will have a book store adjacent to the exhibition in the Cody Club Room.

Inquiries are always welcome. I look forward to seeing you in Cody for Style West.

A Western Christmas

2007-12-13T15:36:00.000-08:00

In the December issue of Western Horseman, Cowboy Culture Editor Jennifer Dennison wrote a fun piece about what I would do for Christmas. It was so fun that I wanted to put it up here for everyone to see. Of course, if you don't have a Western Horseman on hand, I say run out and get it. It's a great issue and you'll get to see the ornaments that I picked and pictures of the belts on the tree and Copenhagen lids as ornaments. Enjoy.

From Western Horseman
THE CHRISTMAS TREE IS THE CENTERPIECE of your holiday home décor. Around it is the place where friends and family gather, and it sets the tone for the rest of your decorations. Make trimming a ranch-style Christmas tree a fun family experience with tips from Western design expert Thea Marx of Wyoming. A Wyoming native, Thea grew up on a ranch, where she
and her family often made gifts and holiday decorations, a tradition she continues today with her 4-year-old daughter, Aspen. For Thea, Christmas wouldn’t be the same without trekking to the forest to cut down a real tree. It’s part of the holiday experience for the entire family, and she loves the smell, color and feel of a real tree, needles and all. This holiday season, she plans to cut a tree for young Aspen to decorate. When it comes to decorating the tree, Thea believes the more family and friends, the merrier. Turn on the Christmas music, serve hot cider and freshly baked cookies, and enjoy the camaraderie. Here are some of Thea’s favorite ideas for trimming a Western-inspired tree.

Consider color and composition. Look for ways to incorporate the colors and elements of the West into your tree. Reds, browns and greens add to your Western theme. Also, consider adding elements of nature in your décor. Share the view. Place your tree near a window for all to see. Thea says she enjoys pulling into her driveway each evening and seeing the lights through the window. Light up the night. Start decorating the tree by stringing clear lights around the tree, tucking the bulbs between all the branches. Illuminating your tree with simple, clear lights helps draw attention to your ornaments. Fill in the gaps. Tuck tumbleweeds, yucca, colored feathers from a craft store, or sagebrush into sparse areas of your tree to create a full appearance. These natural accents also bring pieces of the outdoors inside and add to the festive fragrance. Decorate the entire tree. Hang ornaments all over the tree, even on the back. This encourages people to really look at the tree and enjoy the memories behind each ornament. Position ornaments near lights to make them sparkle, and create hidden vignettes between the branches.
Strut your snuff. To make inexpensive, cowboy-inspired tree decorations that twinkle in the lights, string snuff-can lids to form a garland, or string single lids to form ornaments.

Turn bandanas into bows. For color and pattern, fold bandannas into triangles and tie the ends together. Place the bandannas in sparse areas of the tree. You can also place one on top of the tree.

Cinch it tight. Fasten Western belts together to form a ranch-style garland. Rhinestone belts add extra sparkle to your tree.

Let it snow. Remember cutting snowflakes out of folded paper as a child? Invite your family and friends to make their own snowflake ornaments for your tree. Be creative, making them simple or intricate, plain or shiny, or even decorated with glitter. Punch a hole in the top of the snowflake, thread ribbon, baling twine or other string through the hole and tie to form a loop for hanging the snowflake on the tree.

Top it off. Your tree topper doesn’t have to be fancy to be beautiful. While she was growing up, Thea’s family cut a star from cardboard and covered it with aluminum foil. A cowboy hat, raffia bow, a star made from twigs or a Santa statue also makes a great topper.

Hi-ho silver. String conchos and saddle silver on a thin strip of leather to form garland and ornaments.

Cover your bases. No Western-themed tree would be complete without a Navajo or Pendleton blanket as a tree skirt.

Take-down tip. When you’re ready to remove your tree from
the house, wrap it in a blanket to prevent needles from covering your floor.

Thea Marx served as the executive director of the Western Design Conference in Cody, Wyoming, and transformed that organization into an internationally recognized source of fine Western design. Today, she is an accomplished author and entrepreneur, specializing in all things Western. For more home-decorating tips, order Thea’s book Contemporary Western Design ($19.95) by calling
(307) 587-8008, or visiting contemporarywesterndesign.com.

Rockin' Western Design

2007-10-31T12:29:00.000-07:00

Wow! What a month for Western Design.

Three big shows happened in September: Western Design Conference in Jackson Hole, Wyoming, the Rustic Fair in Blue Mountain Lake, New York and Cody High Style in Cody, Wyoming, the month of September was rockin’!

I can’t tell you how energized I am now after seeing all the artists and fashion designers, being witness to some really dynamite pieces and being on the runway in Cody. I snuck on for a cameo for Red Nations Art in Jackson. That was fun!

Here is the low down:

In Jackson at the Western Design Conference, Contemporarywesterndesign.com was a sponsor and very honored to be there. Sometimes it’s hard to go back to something you felt so strongly about and look at it objectively. But, I was able to do just that and was very pleased to see that Nancy and Allison were taking incredible care of the artists. That meant a lot to me. For the first time in 4 years I was able to reconnect with the artists in a creative, wonderful atmosphere. Many of whom have become friends over the years and who inspire me onward and upward. I was able to see old friends like Chris Chapman, Jamie and David LaMure and Danial MacPhail as well as many others. I made some new friends, Seabring Davis who is creating a wonderful magazine in Montana called Western Art and Architecture and Jim Keen whose book “Great Ranches of the West” is a treasure. I finally got to see the great designs of Chris Neill and Jonathan Sweet first hand. It was wonderful to see fabulous artists like Susan Adams, jeweler and Lisa Sorrel, bootmaker, honored for their work. And that was just in Jackson.

Contemporarywesterndesign.com sponsored the Best of Show award at the Rustic Fair at the Adirondack Museum in Blue Mountain Lake, New York. I had the privilege of judging the show in 2006 and meeting many of the exhibitors. I look forward to going back to the Adirondacks again.

At Cody High Style it was a whirlwind of activity. I was honored to be asked to model in the fashion show that was being created by Lani Snyder and Jeannie Price (they taught me everything I know) and chaired by KT Roes. It was refreshing to be just a model and not executive director, producer and model. I am sure I didn’t look nearly as tired on the runway. In the opening number I donned a pair of magenta chaps by Berry Fit and wads of fantastic turquoise jewelry by Waddell Trading Company the second a gorgeous dress by Canadian Designer Angela DeMontigny that was cut to my belly button in the front and well… it was very low in the back. I was so nervous the first time out, I used double sided tape. The second show I relaxed a bit and had fun in it. Then I got to step into a pale pink confection by Jonathan Kayne, yes, that Jonathan from Project Runway. I have to admit when Lani and Jeannie gave me this pink dress during fittings, I had a big question mark in my mind, but I have learned to always trust them so I went with it. I felt like a princess, first because I was wearing one of his designs and second, because it moved so beautifully. I could feel the train gently billowing behind me as I walked the runway and could just imagine how awesome the dress must look. My final walk was for the Manuel Collection created by Lalie Kavulich-Crist. The white wide leg suite was embroidered in the classic Manuel tradition with a Day of the Dead theme. With Rock and Roll hair and 4 inch heels, the alter ego rocker came out of me easily. You can check on You Tube.

For years we had tried to get the museum to host the show in one of its galleries. We (the founders, board of directors, artists and me, the director) knew how beautiful and appropriate it was to have the furniture in that amazing setting. So seeing it for the first time set in the Buffalo Bill Historical Center’s Gallery was gratifying. It looked just as it should stately, elegant and artful. And full of honor.

I couldn’t be prouder of the work I saw on the floor, a beautiful club chair by Tim Lozier of How Kola complete with hand carved leather covered arm rests and the Yellowstone cabinet by Ron and Jean Shanor that was complete to the nth degree. I found myself crawling around on the floor inspecting it, because I couldn’t get enough of the incredible craftsmanship. Even the hinges were made out of tiny little burls precisely fitted together for perfect movement of the door. Andy Sanchez created a desk that had a hidden compartment that lit up like a space ship when it rose from the depths of the alligator juniper base. I wish I had a big office in a high rise. It was enormous and gorgeous all that the same time. If I detailed every piece I might risk boring you to death so I won’t continue. I want all the artists to know that I was so proud of all their work after watching them all mature over the last 12 years, its fulfilling to see them continue making strides, never falling into a rut.

If you haven’t already mark your calendars for next September, the month for western and Adirondack design.

Western Design: Old, New and Blue

2007-07-10T13:46:00.000-07:00

Western Design started out as a necessity. Victorian buffets, French chairs and gilded desks found the western frontier entirely too harsh for their taste, in other words, they didn't last long. Furniture in the west had to be practical and since room in the wagons was limited it had to created from materials at hand. And it was. Lodge pole pine was the ideal material, easy to find and relatively easy to work and so it goes it was the chosen material of western design. Thomas Molesworth created a legacy by creating the first commercial western design furniture at the Shoshone Furniture Company in Cody, Wyoming. He loved bright colors and never shied away from using wonderful and sometimes even garrish colors in his designs, orange, lime green where the ones I remember thinking Whoa! about. My favorites were the blue pieces that he created. It reminds me of the extraordinary blue skies in Wyoming and Montana and I really appreciate his unabashed use of that brilliant blue.

Through his legacy an entire industry was borne. Western Furniture makers such as Marc Taggart and Company (www.marctaggart.com) today create beautiful pieces that replicate his work . Marc's grandparents were close friends of Thomas Molesworth and his favorite room in their home was furnished by Mr. Molesworth. It is only fitting that Marc employ the best artistans in the business to re-create some of his favorite pieces.

Molesworth was a true pioneer and the spirit with which he created runs rampant through the artisans that create western design. New materials, styles and methods have sprung from the roots of western to give the genre a broad depth, one that appeals to both traditionalists and those seeking contemporary lines.

Wonderful examples of western design are available on the website at www.contemporarywesterndesign.com. Hope to see you there soon.

My First Take on Western Design

2007-06-27T15:07:00.000-07:00

When people think of western design they think cowboy. Cowboy boots, cowboy chairs and cowboy life. Which is partly right. It is, in fact, how it started: as a necessity borne from the land of the cowboy, the West.

I have lived the cowboy life and of the land, but early on I didn't have any appreciation for the genre of western design. Survival was important, not design.

Introduced to western design in 1997, I immediately fell in love with its natural lines, invigorating colors and all of the earth elements. I am an earth sign so that makes sense! I was also intrigued by this group of artisans that were so dedicated to this niche . I couldn't draw a stick horse if some one asked so that is why, first of all, I was enamored, but secondly, it was because what they created made sense. It echoed the natural world and each piece was from a special place within them. It wasn't an assembly line, it was hands on creation and beautiful.

The western design that I witness everyday is no longer borne specifically to fill a void, nor is it cowboy kitsche in anyway, its an amazing array of interpretations of the West by those who live here and those who wish they did. Whether it is furniture, fashion, jewelry or fine art, these artists are creating some of the finest in original American Art. I hope that you will come and take a look at http://www.contemporarywesterndesign.com/. I am sure you will like what you see.

I'll be back with some great examples of what was and what is......

May the West make all your dreams come true!

Thea

www. contemporarywesterndesign.com